Name: Wilhelm Dilthey: Selected Works, Volume v: Poetry and Experience: Poetry and Experience v. 5 (en Inglés)
Price: 101230.00 CLP
Availability: InStock
Author: Wilhelm Dilthey
ISBN: 9780691029283

portada Wilhelm Dilthey: Selected Works, Volume v: Poetry and Experience: Poetry and Experience v. 5 (en Inglés)

Formato

Libro Físico

Editorial

Princeton University Press

Autor

Wilhelm Dilthey

Año

1996

Idioma

Inglés

N° páginas

410

Encuadernación

Tapa Blanda

ISBN

0691029288

ISBN13

9780691029283

Categorías

Tradiciones y escuelas de pensamiento

Wilhelm Dilthey: Selected Works, Volume v: Poetry and Experience: Poetry and Experience v. 5 (en Inglés)

Wilhelm Dilthey (Autor) · Princeton University Press · Tapa Blanda

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Reseña del libro "Wilhelm Dilthey: Selected Works, Volume v: Poetry and Experience: Poetry and Experience v. 5 (en Inglés)"

This is the fifth volume in a six-volume translation of the major writings of Wilhelm Dilthey (1833-1911), a philosopher and historian of culture who has had a significant, and continuing, influence on twentieth-century Continental philosophy and in a broad range of scholarly disciplines. In addition to his landmark works on the theories of history and the human sciences, Dilthey made important contributions to hermeneutics and phenomenology, aesthetics, psychology, and the methodology of the social sciences. This volume presents Dilthey's principal writings on aesthetics and the philosophical understanding of poetry, as well as representative essays of literary criticism. The essay "The Imagination of the Poet" (also known as his Poetics) is his most sustained attempt to examine the philosophical bearings of literature in relation to psychological and historical theory. Also included are "The Three Epochs of Modern Aesthetics and its Present Task," "Fragments for a Poetics," and two final essays discussing Goethe and Holderlin. The latter are drawn from Das Erlebnis und die Dichtung, a volume that was acclaimed on publication as a classic of literary criticism and that continues to be a model for the geistesgeschichtliche approach to literary history.