Overall, Scholzs highly readable and accessible book contributes new insights to the field of adaptation studies and the individual films that she so thoroughly and eloquently studies. She achieves a balance in considering films as both industrial products and artistic achievement and her transnationality and, more specifically, her bi-lingual skills give her important access to German language secondary source material, hitherto not included in English-language studies of these works. This book is essential reading for anyone interested in transatlantic adaptations or indeed any of the films she considers and its intellectual paradigm is both expansive and offers a significant contribution to current debates in adaptation studies. · Cercles. Revue pluridisciplinaire du Monde Anglophone I am very impressed with the authors research and writing skills. The book is well organized and presented to the reader... By using a series of select case studies of film adaptation and reception, she demonstrates that texts dealing with gender issues, with personal identity, war, and the division of Europe into Western and Eastern blocs provided a focal point for fierce critical debate over the nature of political and civic values. · Lary May, University of Minnesota Scholarly approaches to the relationship between literature and film, ranging from the traditional focus upon fidelity to more recent issues of intertextuality, all contain a significant blind spot