What does it mean to love a place? Is it simply a matter of delighting in the beauty of a specific parcel of land--for author E. J. Myers, land in rural Vermont? Or does loving a require a deeper commitment, a deeper exploration, that goes beyond aesthetics? Living now in an 1840's-vintage farmhouse on ten acres of meadow and woods, Myers believes that he has inadvertently grasped the "thread" of this specific place and, by pulling it, has found his property connected to everywhere else. In his new book On Whitcomb Hill, he explores how the historical, ethical, and spiritual aspects owning his property inspire a sense of stewardship not only of his ten acres but of the wider world.On Whitcomb Hill is a tightly woven collection of twenty chapters that explore interconnectedness in the age of environmental crisis. Topics include (among others) the landscape, ponds and streams, traditional tools, meadows, local mammals, moths, cold weather and heat sources, and the complexities, contradictions, and ironies of Vermont history and culture. Written in the spirit of Thoreau's Walden and in the style of contemporary environmentalists such as Edward Hoagland, Gretel Ehrlich, Annie Dillard, and Wendell Berry, On Whitcomb Hill explores a small corner of the American landscape and the aspects of place that it raises. This book is both a celebration of Vermont's iconic beauty and a broader inquiry into what love of place can tell us. Ultimately it asks a crucial question: To what degree does love of place provide a door to other realms of understanding?