When Gwyar ferch Onbrawst a Meurig of South Wales happened upon the Queen betraying her brother by her own son, Mordred, she fled Caerleon for the vast wood of Broceliande, there to spend long years punishing unfaithful men, luring lovers untrue to her lair and trapping them in a tower of skulls, none to escape her judgement. But before she was tangled in the web of family sorrows, forbidden affairs, statecraft, and the politics of kingmaking and survival during and after the Saxon Wars, Gwyar had another life, other sons, and other rivals. For before Camelot there was Atlantis, and before Lancelot and Merlin there was Uriel, and Lilith. And before the dark, slight Silure with gold-speckled bronze eyes and raven hair was the towering titaness from the sea, made by an abominable act between a fallen angel and a daughter of Eve. Before Gwyar, who is Morgaine of the Faeries, there was The Morrigan, a Primal Witch, amongst the first of the Fae. The Morgaine Cycle One: Gwyliwr takes the reader to the other side of the Great Flood, to the world that was. A world of angels, and of Watchers lusting after God's most precious and unique creation: Woman. A world of giants and monsters. Of gods and heroes, and every kind of Otherworldly Being. And lastly, of another misunderstood and maligned Primal Witch who, like Morgaine herself, is a crucial figure in the outworking of God's plan and purpose for the Ages.