Name: All the Same the Words Don't go Away: Essays on Authors, Heroes, Aesthetics, and Stage Adaptations From the Russian Tradition (Studies in Russian and Slavic Literatures, Cultures, and History) (en Inglés)
Price: 122200.00 CLP
Availability: InStock
Author: Emerson, Caryl ; Bethea, David
ISBN: 9781934843819

portada All the Same the Words Don't go Away: Essays on Authors, Heroes, Aesthetics, and Stage Adaptations From the Russian Tradition (Studies in Russian and Slavic Literatures, Cultures, and History) (en Inglés)

All the Same the Words Don't go Away: Essays on Authors, Heroes, Aesthetics, and Stage Adaptations From the Russian Tradition (Studies in Russian and Slavic Literatures, Cultures, and History) (en Inglés)

Formato

Libro Físico

Autor

Caryl Emerson

Introducción de

David Bethea

Editorial

Academic Studies Press

Año

2010

Idioma

Inglés

N° páginas

450

Encuadernación

Tapa Dura

Dimensiones

23.4 x 15.6 x 2.5 cm

Peso

0.79 kg.

ISBN

9781934843819

ISBN13

9781934843819

Categorías

Rusia
Urss, unión soviética
Reseña y crítica musicales
Historia de la música
Obras de teatro, textos teatrales
Literatura: historia y crítica

All the Same the Words Don't go Away: Essays on Authors, Heroes, Aesthetics, and Stage Adaptations From the Russian Tradition (Studies in Russian and Slavic Literatures, Cultures, and History) (en Inglés)

Caryl Emerson (Autor) · David Bethea (Introducción de) · Academic Studies Press · Tapa Dura

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Reseña del libro "All the Same the Words Don't go Away: Essays on Authors, Heroes, Aesthetics, and Stage Adaptations From the Russian Tradition (Studies in Russian and Slavic Literatures, Cultures, and History) (en Inglés)"

All the Same the Words Don't Go Away brings together twenty-five years of essays and reviews, linked loosely by three themes. The first explores the legacy of Mikhail Bakhtin: his ideas of dialogue and carnival, and the debates ignited by each. The second delves into three "master workers" of the Russian tradition: Pushkin, Tolstoy, and Dostoevsky. In this section, emphasis is comparative: the riddle of Pushkin's life, why "Tolstoy versus Dostoevsky," how Chekhov reads Tolstoy, why Kundera dislikes Doestoevsky and Tolstoy dislikes Shakespeare. The final section addresses the transposition of classic literary texts into other media through musical works by Musorgsky, Tchaikovsky, Shostakovich, and Prokofiev. Throughout, the fundamental heroes are Pushkin's Tatiana Larina and Boris Godunov. This volume will be of interest to comparativists and students in interdisciplinary humanities.