Name: Art and Postcapitalism: Aesthetic Labour, Automation and Value Production (en Inglés)
Price: 34670.00 CLP
Availability: InStock
Author: Beech, Dave
ISBN: 9780745339245

portada Art and Postcapitalism: Aesthetic Labour, Automation and Value Production (en Inglés)

Formato

Libro Físico

Autor

Dave Beech

Editorial

Pluto Press (UK)

Año

2019

Idioma

Inglés

N° páginas

176

Encuadernación

Tapa Blanda

Dimensiones

21.3 x 13.7 x 1.0 cm

Peso

0.26 kg.

ISBN13

9780745339245

Categorías

Aspectos generales del arte
Ideologías y política de extrema izquierda
Socialismo e ideologías de centro izquierda
Economía política

Art and Postcapitalism: Aesthetic Labour, Automation and Value Production (en Inglés)

Dave Beech (Autor) · Pluto Press (UK) · Tapa Blanda

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Origen: Estados Unidos (Costos de importación incluídos en el precio)

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Reseña del libro "Art and Postcapitalism: Aesthetic Labour, Automation and Value Production (en Inglés)"

Artistic labour was exemplary for Utopian Socialist theories of 'attractive labour', and Marxist theories of 'nonalienated labour', but the rise of the anti-work movement and current theories of 'fully automated luxury communism' have seen art topple from its privileged place within the left's political imaginary as the artist has been reconceived as a prototype of the precarious 24/7 worker. Art and Postcapitalism argues that art remains essential for thinking about the intersection of labour, capitalism and postcapitalism not insofar as it merges work and pleasure but as an example of noncapitalist production. Reassessing the contemporary politics of work by revisiting debates about art, technology and in the nineteenth and twentieth century, Dave Beech challenges the aesthetics of labour in John Ruskin, William Morris and Oscar Wilde with a value theory of the supersession of capitalism that sheds light on the anti-work theory by Silvia Federici, Andre Gorz, Kathi Weeks and Maurizio Lazzarato, as well as the technological Cockayne of Srnicek and Williams and Paul Mason. Formulating a critique of contemporary postcapitalism, and developing a new understanding of art and labour within the political project of the supersession of value production, this book is essential for activists, scholars and anyone interested in the real and imagined escape routes from capitalism.