Name: Compositional Artifice in the Music of Henry Purcell (Musical Performance and Reception) (en Inglés)
Price: 165650.00 CLP
Availability: InStock
Author: Alan Howard
ISBN: 9781107006669

portada Compositional Artifice in the Music of Henry Purcell (Musical Performance and Reception) (en Inglés)

Formato

Libro Físico

Editorial

Cambridge University Press

Autor

Alan Howard

Año

2019

Idioma

Inglés

N° páginas

312

Encuadernación

Tapa Dura

ISBN13

9781107006669

Categorías

Reseñas y críticas musicales
Historia de la música

Compositional Artifice in the Music of Henry Purcell (Musical Performance and Reception) (en Inglés)

Alan Howard (Autor) · Cambridge University Press · Tapa Dura

Libro Nuevo

$ 165.650

$ 276.080

Ahorras: $ 110.430

40% descuento

Cantidad
Estado: Nuevo
Quedan 50 unidades

Envío normal

Origen: España (Costos de importación incluídos en el precio)

Se enviará desde nuestra bodega entre el Martes 04 de Junio y el Martes 11 de Junio.

Lo recibirás en cualquier lugar de Chile entre 1 y 3 días hábiles luego del envío.

Reseña del libro "Compositional Artifice in the Music of Henry Purcell (Musical Performance and Reception) (en Inglés)"

Fugal invention has proved a successful line of analytical inquiry in recent studies of repertoires from Josquin to J. S. Bach. Alan Howard brings similar insights to the music of Henry Purcell, and proposes the first analytical approach to his music to examine compositional methods alongside historically contemporary theory, focusing particularly on Purcell's 'artificial' approach to imitative counterpoint. Through this methodology Howard challenges previous responses to Purcell's music that portrayed him as fundamentally conservative. This study offers fresh insights into the musical world in which Purcell lived and worked and situates Purcell's compositional concerns in the broader context of notions of artifice in Restoration culture. Howard thereby offers both a fresh analytical approach - to Purcell's early instrumental works and to his later concerted vocal music - and a critique of the reception history surrounding the fantazias and sonatas in particular.