Name: Computer Animation: Theory and Practice (en Inglés)
Price: 95590.00 CLP
Availability: InStock
Author: Magnenat-Thalmann, Nadia ; Thalmann, Daniel
ISBN: 9784431681076

portada Computer Animation: Theory and Practice (en Inglés)

Formato

Libro Físico

Autor

Daniel Thalmann

Editorial

Springer

Idioma

Inglés

N° páginas

245

Encuadernación

Tapa Blanda

Dimensiones

24.4 x 17.0 x 1.4 cm

Peso

0.43 kg.

ISBN13

9784431681076

N° edición

0002

Categorías

Cam: manufactura asistida por ordenador
Diseño asistido por ordenador (cad)
Procesamiento de imágenes

Computer Animation: Theory and Practice (en Inglés)

Daniel Thalmann (Autor) · Springer · Tapa Blanda

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Origen: Estados Unidos (Costos de importación incluídos en el precio)

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Reseña del libro "Computer Animation: Theory and Practice (en Inglés)"

Computer Science Workbench is a monograph series which will provide you with an in-depth working knowledge of current developments in computer technology. Every volume in this series will deal with a topic of importance in computer science and elaborate on how you yourself can build systems related to the main theme. You will be able to develop a variety of systems, including computer software tools, computer gra- phics, computer animation, database management systems, and compu- ter-aided design and manufacturing systems. Computer Science Work- bench represents an important new contribution in the field of practical computer technology. TOSIYASU L. KUNII Preface to the Second Edition Computer graphics is growing very rapidly; only computer animation grows faster. The first edition of the book Computer Animation: Theory and Practice was released in 1985. Four years later, computer animation has exploded. Conferences on computer animation have appeared and the topic is recognized in well-known journals as a leading theme. Computer-generated film festivals now exist in each country and several thousands of films are produced each year. From a commercial point of view, the computer animation market has grown considerably. TV logos are computer-made and more and more simulations use the technique of computer animation. What is the most fascinating is certainly the development of computer animation from a research point-of-view.