Name: Crosscurrents in Australian First Nations and Non-Indigenous art (Routledge Advances in art and Visual Studies) (en Inglés)
Price: 141290.00 CLP
Availability: InStock
Author: Sarah Scott (Editor), Helen Mcdonald (Editor), Caroline Jordan (Editor)
ISBN: 9781032257372

portada Crosscurrents in Australian First Nations and Non-Indigenous art (Routledge Advances in art and Visual Studies) (en Inglés)

Formato

Libro Físico

Editorial

Routledge

Autor

Sarah Scott (Editor), Helen Mcdonald (Editor), Caroline Jordan (Editor)

Idioma

Inglés

N° páginas

222

Encuadernación

Tapa Dura

ISBN13

9781032257372

N° edición

Crosscurrents in Australian First Nations and Non-Indigenous art (Routledge Advances in art and Visual Studies) (en Inglés)

Sarah Scott (Editor), Helen Mcdonald (Editor), Caroline Jordan (Editor) (Autor) · Routledge · Tapa Dura

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Reseña del libro "Crosscurrents in Australian First Nations and Non-Indigenous art (Routledge Advances in art and Visual Studies) (en Inglés)"

This edited collection examines art resulting from cross-cultural interactions between Australian First Nations and non-Indigenous people, from the British invasion to today. Focusing on themes of collaboration and dialogue, the book includes two conversations between First Nations and non-Indigenous authors and an historian's self-reflexive account of mediating between traditional owners and an international art auction house to repatriate art. There are studies of 'reverse appropriation' by early nineteenth-century Aboriginal carvers of tourist artefacts and the production of enigmatic toa. Cross-cultural dialogue is traced from the post-war period to 'Aboriginalism' in design and the First Nations fashion industry of today. Transculturation, conceptualism, and collaboration are contextualised in the 1980s, a pivotal decade for the growth of collaborative First Nations exhibitions. Within the current circumstances of political protest in photographic portraiture and against the mining of sacred Aboriginal land, Crosscurrents in Australian First Nations and Non-Indigenous Art testifies to the need for Australian institutions to collaborate with First Nations people more often and better. This book will appeal to students and scholars of art history, Indigenous anthropology, and museum and heritage studies.