Name: Elinor Glyn as Novelist, Moviemaker, Glamour Icon and Businesswoman (en Inglés)
Price: 189610.00 CLP
Availability: InStock
Author: Vincent L. Barnett Alexis Weedon
ISBN: 9781472421821

portada Elinor Glyn as Novelist, Moviemaker, Glamour Icon and Businesswoman (en Inglés)

Formato

Libro Físico

Editorial

Routledge

Autor

Vincent L. Barnett Alexis Weedon

Idioma

Inglés

N° páginas

246

Encuadernación

Tapa Dura

ISBN13

9781472421821

N° edición

Elinor Glyn as Novelist, Moviemaker, Glamour Icon and Businesswoman (en Inglés)

Vincent L. Barnett Alexis Weedon (Autor) · Routledge · Tapa Dura

Libro Físico

$ 189.610

$ 316.010

Ahorras: $ 126.400

40% descuento

Envío normal

Origen: Reino Unido (Costos de importación incluídos en el precio)

Se enviará desde nuestra bodega entre el Viernes 31 de Mayo y el Miércoles 12 de Junio.

Lo recibirás en cualquier lugar de Chile entre 1 y 3 días hábiles luego del envío.

Reseña del libro "Elinor Glyn as Novelist, Moviemaker, Glamour Icon and Businesswoman (en Inglés)"

The first full-length study of the authorial and cross-media practices of the English novelist Elinor Glyn (1864-1943), Elinor Glyn as Novelist, Moviemaker, Glamour Icon and Businesswoman examines Glyn's work as a novelist in the United Kingdom followed by her success in Hollywood where she adapted her popular romantic novels into films. Making extensive use of newly available archival materials, Vincent L. Barnett and Alexis Weedon explore Glyn's experiences from multiple perspectives, including the artistic, legal and financial aspects of the adaptation process. At the same time, they document Glyn's personal and professional relationships with a number of prominent individuals in the Hollywood studio system, including Louis B. Mayer and Irving Thalberg. The authors contextualize Glyn's involvement in scenario-writing in relationship to other novelists in Hollywood, such as Edgar Wallace and Arnold Bennett, and also show how Glyn worked across Europe and America to transform her stories into other forms of media such as plays and movies. Providing a new perspective from which to understand the historical development of both British and American media industries in the first half of the twentieth century, this book will appeal to historians working in the fields of cultural and film studies, publishing and business history.