Name: Get the Picture: A Personal History of Photojournalism (Crime & Justice: A Review of Research; Crime & Justice: A Review of Research) (en Inglés)
Price: 52730.00 CLP
Availability: InStock
Author: John G. Morris
ISBN: 9780226539140

portada Get the Picture: A Personal History of Photojournalism (Crime & Justice: A Review of Research; Crime & Justice: A Review of Research) (en Inglés)

Formato

Libro Físico

Editorial

Univ Of Chicago Pr

Autor

John G. Morris

Año

2002

Idioma

Inglés

N° páginas

332

Encuadernación

Tapa Blanda

Peso

1.05

ISBN

0226539148

ISBN13

9780226539140

N° edición

Categorías

Monografías sobre el arte
Fotógrafos
Arquitectos y estudios de arquitectura
Biografías

Get the Picture: A Personal History of Photojournalism (Crime & Justice: A Review of Research; Crime & Justice: A Review of Research) (en Inglés)

John G. Morris (Autor) · Univ Of Chicago Pr · Tapa Blanda

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Origen: Estados Unidos (Costos de importación incluídos en el precio)

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Reseña del libro "Get the Picture: A Personal History of Photojournalism (Crime & Justice: A Review of Research; Crime & Justice: A Review of Research) (en Inglés)"

How do photojournalists get the pictures that bring us the action from the world's most dangerous places? How do picture editors decide which photos to scrap and which to feature on the front page?Find out in Get the Picture, a personal history of fifty years of photojournalism by one of the top journalists of the twentieth century. John G. Morris brought us many of the images that defined our era, from photos of the London air raids and the D-Day landing during World War II to the assassination of Robert Kennedy. He tells us the inside stories behind dozens of famous pictures like these, which are reproduced in this book, and provides intimate and revealing portraits of the men and women who shot them, including Robert Capa, Henri Cartier-Bresson, and W. Eugene Smith. A firm believer in the power of images to educate and persuade, Morris nevertheless warns of the tremendous threats posed to photojournalists today by increasingly chaotic wars and the growing commercialism in publishing, the siren song of money that leads editors to seek pictures that sell copies rather than those that can change the way we see the world.