Name: Objects That Aren't: A Surrealist Approach To Identifying Photographic Images (en Inglés)
Price: 19800.00 CLP
Availability: InStock
Author: Vickers, Marques ; Vickers, Marques
ISBN: 9781981218219

portada Objects That Aren't: A Surrealist Approach To Identifying Photographic Images (en Inglés)

Formato

Libro Físico

Fotografías de

Marques Vickers

Autor

Marques Vickers

Editorial

Createspace Independent Publishing Platform

Idioma

Inglés

N° páginas

110

Encuadernación

Tapa Blanda

Dimensiones

22.9 x 15.2 x 0.7 cm

Peso

0.17 kg.

ISBN13

9781981218219

Categorías

Historia del arte
Conceptualismo

Objects That Aren't: A Surrealist Approach To Identifying Photographic Images (en Inglés)

Marques Vickers (Fotografías de, Autor) · Createspace Independent Publishing Platform · Tapa Blanda

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Origen: Estados Unidos (Costos de importación incluídos en el precio)

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Reseña del libro "Objects That Aren't: A Surrealist Approach To Identifying Photographic Images (en Inglés)"

The edition "Objects That Aren't" is a photographic contrast between tangible imagery and perceived and/or implied meanings. Photographer Marques Vickers has incorporated a surrealist approach reminiscent of artist Rene Magritte's painting This Is Not A Pipe. Vickers identifies what each object does not represent to him. In many instances his opinion appears obvious. In others, his conclusion may not have even occurred to the viewer. His subjectivity prompts the viewer into determining his or her own personal interpretation of what the camera lens is portraying. Images are not necessarily confined to exact interpretation. The majority of candid frames represent little more than frozen impressions. Reaction is potentially triggered and often dependent on the viewer's reference base of experiences, traumas, and overall aperture towards life.As with previous photographic editions, the author questions accepted or traditional standards, while accentuating absurdity with humor and subtlety.There exists no certainty as to what precisely each image represents. Contextual background is missing and clues are frequently minimal. The viewer is left to decipher their own meaning or simply perceive the images absent of contributing commentary.