Name: Portrait of a Young Painter: Pepe Zuniga and Mexico City's Rebel Generation (en Inglés)
Price: 37340.00 CLP
Availability: InStock
Author: Mary Kay Vaughan
ISBN: 9780822357810

portada Portrait of a Young Painter: Pepe Zuniga and Mexico City's Rebel Generation (en Inglés)

Portrait of a Young Painter: Pepe Zuniga and Mexico City's Rebel Generation (en Inglés)

Formato

Libro Físico

Editorial

Duke University Press

Autor

Mary Kay Vaughan

Año

2014

Idioma

Inglés

N° páginas

304

Encuadernación

Tapa Blanda

ISBN13

9780822357810

Categorías

Artistas, monografías sobre arte

Portrait of a Young Painter: Pepe Zuniga and Mexico City's Rebel Generation (en Inglés)

Mary Kay Vaughan (Autor) · Duke University Press · Tapa Blanda

Libro Nuevo Importado

Envío: 11 a 16 días háb.

$ 62.240$ 37.340

-40%

Costos de importación incluídos en el precio ✅

Libro Nuevo

Quedan 96 unidades

$ 37.340

Llega entre el 03 Ago y el 10 Ago a Santiago, Región Metropolitana. Seleccionar ubicación

Agregar a lista de deseos

Reseña del libro "Portrait of a Young Painter: Pepe Zuniga and Mexico City's Rebel Generation (en Inglés)"

In Portrait of a Young Painter, the distinguished historian Mary Kay Vaughan adopts a biographical approach to understanding the culture surrounding the Mexico City youth rebellion of the 1960s. Her chronicle of the life of painter Pepe Zúñiga counters a literature that portrays post-1940 Mexican history as a series of uprisings against state repression, injustice, and social neglect that culminated in the student protests of 1968. Rendering Zúñiga's coming of age on the margins of formal politics, Vaughan depicts midcentury Mexico City as a culture of growing prosperity, state largesse, and a vibrant, transnationally-informed public life that produced a multifaceted youth movement brimming with creativity and criticism of convention. In an analysis encompassing the mass media, schools, politics, family, sexuality, neighborhoods, and friendships, she subtly invokes theories of discourse, phenomenology, and affect to examine the formation of Zúñiga's persona in the decades leading up to 1968. By discussing the influences that shaped his worldview, she historicizes the process of subject formation and shows how doing so offers new perspectives on the events of 1968.