Name: The Animation Studies Reader (en Inglés)
Price: 42730.00 CLP
Availability: InStock
ISBN: 9781501332609

portada The Animation Studies Reader (en Inglés)

Formato

Libro Físico

Editorial

Bloomsbury Publishing Plc

Año

2018

Idioma

Inglés

N° páginas

352

Encuadernación

Tapa Blanda

ISBN13

9781501332609

Categorías

Historia del cine

The Animation Studies Reader (en Inglés)

Libro Nuevo

$ 42.730

$ 71.220

Ahorras: $ 28.490

40% descuento

Envío normal

Origen: Reino Unido (Costos de importación incluídos en el precio)

Se enviará desde nuestra bodega entre el Jueves 23 de Mayo y el Viernes 31 de Mayo.

Lo recibirás en cualquier lugar de Chile entre 1 y 3 días hábiles luego del envío.

Reseña del libro "The Animation Studies Reader (en Inglés)"

The Animation Studies Reader brings together both key writings within animation studies and new material in emerging areas of the field. The collection provides readers with seminal texts that ground animation studies within the contexts of theory and aesthetics, form and genre, and issues of representation. The first section collates key readings on animation theory, on how we might conceptualise animation, and on some of the fundamental qualities of animation. New material is also introduced in this section specifically addressing questions raised by the nature, style and materiality of animation. The second section outlines some of the main forms that animation takes, which includes discussions of genre. Although this section cannot be exhaustive, the material chosen is particularly useful as it provides samples of analysis that can illuminate some of the issues the first section of the book raises. The third section focuses on issues of representation and how the medium of animation might have an impact on how bodies, gender, sexuality, race and ethnicity are represented. These representations can only be read through an understanding of the questions that the first two sections of the book raise; we can only decode these representations if we take into account form and genre, and theoretical conceptualisations such as visual pleasure, spectacle, the uncanny, realism etc.