Name: The Rite of Seeing: Essays on K iy am (en Inglés)
Price: 58590.00 CLP
Availability: InStock
Author: Shulman, David
ISBN: 9789355720382

portada The Rite of Seeing: Essays on K iy am (en Inglés)

Formato

Libro Físico

Autor

David Shulman

Editorial

Primus Books

Idioma

Inglés

N° páginas

240

Encuadernación

Tapa Dura

Dimensiones

23.4 x 15.6 x 1.8 cm

Peso

0.53 kg.

ISBN13

9789355720382

Categorías

Asia meridional (subcontinente indio)
Teatro
Danza
Historia de las artes escénicas
Historia de asia

The Rite of Seeing: Essays on K iy am (en Inglés)

David Shulman (Autor) · Primus Books · Tapa Dura

Libro Nuevo

$ 58.590

$ 117.170

Ahorras: $ 58.580

50% descuento

Envío normal

Origen: Estados Unidos (Costos de importación incluídos en el precio)

Se enviará desde nuestra bodega entre el Viernes 12 de Julio y el Miércoles 24 de Julio.

Lo recibirás en cualquier lugar de Chile entre 1 y 3 días hábiles luego del envío.

Reseña del libro "The Rite of Seeing: Essays on K iy am (en Inglés)"

Kūṭiyāṭṭam, the only surviving live Sanskrit theatre in the world, was defined by UNESCO as 'a masterpiece of the oral and intangible heritage of humanity'. Full performances-almost always a single act taken from a multi-act Sanskrit play-range from 12 to 150 hours (in daily or nightly segments of several hours each) and display an aesthetic brilliance and dizzying complexity that are almost beyond description. Each such act constitutes an artistic whole with its own conceptual and thematic unity. The Rite of Seeing reflects the work of the Hebrew University Kūṭiyāṭṭam team and of our colleagues from Tübingen, Paris, Groningen, and elsewhere, over many years of annual pilgrimages to Kerala to watch and study this art in action. It offers interpretations of seven classical performances in the light of the actors' traditional handbooks (Āṭṭaprakāram), the Sanskrit base text, and the artists' oral commentary that emerged naturally in the course of many days of attentive viewing. The essays are accompanied by links to extended performance moments, so that readers can see with their own eyes something of what we have seen in Mūḻikkuḷam and Kiḷḷimaṅgalam. Interpretative essays of this kind, although plentiful in studies of Sophocles, Shakespeare, and Chekhov, have never been attempted for Kūṭiyāṭṭam. The book is thus meant to introduce Kūṭiyāṭṭam to new audiences and to offer pathways for beginning to explore the riches of this unique and still vital tradition.