Name: The Theatre of the Oppressed in Practice Today: An Introduction to the Work and Principles of Augusto Boal (Performance Books) (en Inglés)
Price: 35820.00 CLP
Availability: InStock
Author: Ali (Queen Mary, University Of London, Uk) Campbell
ISBN: 9781350031418

portada The Theatre of the Oppressed in Practice Today: An Introduction to the Work and Principles of Augusto Boal (Performance Books) (en Inglés)

Formato

Libro Físico

Editorial

Bloomsbury Publishing Plc

Autor

Ali (Queen Mary, University Of London, Uk) Campbell

Año

2019

Idioma

Inglés

N° páginas

264

Encuadernación

Tapa Blanda

ISBN13

9781350031418

Categorías

Técnicas de actuación

The Theatre of the Oppressed in Practice Today: An Introduction to the Work and Principles of Augusto Boal (Performance Books) (en Inglés)

Ali (Queen Mary, University Of London, Uk) Campbell (Autor) · Bloomsbury Publishing Plc · Tapa Blanda

Libro Físico

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$ 71.640

Ahorras: $ 35.820

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Reseña del libro "The Theatre of the Oppressed in Practice Today: An Introduction to the Work and Principles of Augusto Boal (Performance Books) (en Inglés)"

How has the work and legacy of Augusto Boal's Theatre of the Oppressed been interpreted and practised around the world? What does it look like in different working contexts? This book provides an accessible introduction to the political and artistic principles Boal's techniques are founded on, tracking exemplary practice from around the globe. Using detailed contemporary case histories, theatre artist, scholar and activist Ali Campbell demonstrates how the underlying principles of Boal's practice are today enacted in the work of - among others - an urban network (Theatre of the Oppressed NYC); a rural and developmental theatre organisation (Jana Sanskriti, West Bengal); Boal's original company CTO Rio (Brazil); and a theatre-based group led by learning-disabled adults in the UK (The Lawnmowers Independent Theatre Company). The book concludes with a series of conversations between Campbell and international exponents of the work, envisioning futures for the Theatre of the Oppressed in the shifting political, educational and artistic contexts of the twenty-first century.