Name: Twelve Concert Variations upon an English Theme, "Down Among the Dead Men" - Sheet Music for Pianoforte and Orchestra - Op.71 (en Inglés)
Price: 28990.00 CLP
Availability: InStock
Author: Stanford, Charles Villiers
ISBN: 9781528706858

portada Twelve Concert Variations upon an English Theme, "Down Among the Dead Men" - Sheet Music for Pianoforte and Orchestra - Op.71 (en Inglés)

Formato

Libro Físico

Autor

Charles Villiers Stanford

Editorial

Classic Music Collection

Idioma

Inglés

N° páginas

Encuadernación

Tapa Blanda

Dimensiones

27.9 x 21.6 x 0.3 cm

Peso

0.17 kg.

ISBN13

9781528706858

Categorías

Artes escénicas
Arte musical
Ópera
Compositores y autores de temas musicales
Cantantes, bandas y grupos
Partituras, letras y libretos

Twelve Concert Variations upon an English Theme, "Down Among the Dead Men" - Sheet Music for Pianoforte and Orchestra - Op.71 (en Inglés)

Charles Villiers Stanford (Autor) · Classic Music Collection · Tapa Blanda

Libro Físico

$ 28.990

$ 48.320

Ahorras: $ 19.330

40% descuento

Envío normal

Origen: Estados Unidos (Costos de importación incluídos en el precio)

Se enviará desde nuestra bodega entre el Lunes 27 de Mayo y el Jueves 06 de Junio.

Lo recibirás en cualquier lugar de Chile entre 1 y 3 días hábiles luego del envío.

Reseña del libro "Twelve Concert Variations upon an English Theme, "Down Among the Dead Men" - Sheet Music for Pianoforte and Orchestra - Op.71 (en Inglés)"

This book contains the original sheet music for a classical music composition by Charles Villiers Stanford. Containing parts for piano and orchestra, this piece is perfect for group performances and will appeal to players and collectors of Romantic classical music. Sir Charles Villiers Stanford (1852 - 1924) was an Irish composer, conductor, and teacher of music. He was educated at the University of Cambridge and continued his studies in Berlin and Leipzig. He was a very influential composer, responsible for making Cambridge University Musical Society an internationally-acclaimed organisation. Stanford was also a profuse composer, producing a large corpus of work in many genres; however, he is perhaps best remembered for his Anglican choral works for church performance. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in a modern, high-quality edition complete with a specially commissioned new introduction on the history of musical notation.