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A Comparative Literary History of Modern Slavery. The Atlantic world and beyond. Volume I: Slavery, literature and the emotions (en Inglés)
Karen-Margrethe Simonsen;Mads Anders Baggesgaard;Madeleine Dobie (Autor)
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John Benjamins Publishing Co
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A Comparative Literary History of Modern Slavery. The Atlantic world and beyond. Volume I: Slavery, literature and the emotions (en Inglés) - Karen-Margrethe Simonsen;Mads Anders Baggesgaard;Madeleine Dobie
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Reseña del libro "A Comparative Literary History of Modern Slavery. The Atlantic world and beyond. Volume I: Slavery, literature and the emotions (en Inglés)"
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\nThe first volume of A Comparative Literary History of Modern Slavery explores literary representations of enslavement with a focus on the emotions. The contributors consider how the diverse emotions generated by slavery have been represented over a historical period stretching from the 16th century to the present and across regions, languages, media and genres. The seventeen chapters explore different framings of emotional life in terms of ‘sentiments’ and ‘affects’ and consider how emotions intersect with literary registers and movements such as melodrama and realism. They also examine how writers, including some formerly enslaved people, sought to activate the feelings of readers, notably in the context of abolitionism. In addition to obvious psychological responses to slavery such as fear, sorrow and anger, they explore minor-key affects such as shame, disgust and nostalgia and address the complexity of depicting love and intimacy in situations of domination. Two forthcoming volumes explore the literary history of slavery in relation to memory and to practices of authorship.
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\nThe first volume of A Comparative Literary History of Modern Slavery explores literary representations of enslavement with a focus on the emotions. The contributors consider how the diverse emotions generated by slavery have been represented over a historical period stretching from the 16th century to the present and across regions, languages, media and genres. The seventeen chapters explore different framings of emotional life in terms of ‘sentiments’ and ‘affects’ and consider how emotions intersect with literary registers and movements such as melodrama and realism. They also examine how writers, including some formerly enslaved people, sought to activate the feelings of readers, notably in the context of abolitionism. In addition to obvious psychological responses to slavery such as fear, sorrow and anger, they explore minor-key affects such as shame, disgust and nostalgia and address the complexity of depicting love and intimacy in situations of domination. Two forthcoming volumes explore the literary history of slavery in relation to memory and to practices of authorship.
