Name: Aesthetics of Appearing (en Inglés)
Price: 157760.00 CLP
Availability: InStock
Author: Martin Seel
ISBN: 9780804743808

portada Aesthetics of Appearing (en Inglés)

Formato

Libro Físico

Editorial

Stanford University Press

Autor

Martin Seel

Año

2004

Idioma

Inglés

N° páginas

256

Encuadernación

Tapa Dura

ISBN

0804743800

ISBN13

9780804743808

N° edición

Categorías

Filosofía estética

Aesthetics of Appearing (en Inglés)

Martin Seel (Autor) · Stanford University Press · Tapa Dura

Libro Nuevo

$ 157.760

$ 286.840

Ahorras: $ 129.080

45% descuento

Envío normal

Origen: Estados Unidos (Costos de importación incluídos en el precio)

Se enviará desde nuestra bodega entre el Viernes 21 de Junio y el Miércoles 03 de Julio.

Lo recibirás en cualquier lugar de Chile entre 1 y 3 días hábiles luego del envío.

Reseña del libro "Aesthetics of Appearing (en Inglés)"

This book proposes that aesthetics begin not with concepts of being or semblance, but with a concept of appearing. Appearing bespeaks of the reality that all aesthetic objects share, however different they may otherwise be. For Martin Seel, appearing plays its part everywhere in the aesthetic realm, in all aesthetic activity.In his book, Seel examines the existential and cultural meaning of aesthetic experience. In doing so, he brings aesthetics and philosophy of art together again, which in continental as well as analytical thinking have been more and more separated in the recent decades. Within Seel's framework, to apprehend things and events with respect to how they appear momentarily and simultaneously to our senses represents a genuine way for human beings to encounter the world. The consciousness that emerges here is an anthropologically central faculty. In perceiving the unfathomable particularity of a sensuously given we gain insight into the indeterminable of our lives. Attentiveness to what is appearing is therefore at the same time attentiveness to ourselves. This is also the case when works of art imagine past or future, probable or improbable presences. Artworks develop their transgressive energy from their presence as sense-catching forms. They bring about a special presence in which a presentation of close or distant presences comes about.