Name: Beethoven's Irish Songs Revisited: Texts Chosen by Tomás Ó Súilleabháin Edited by Margaret O'Sullivan Farrell (en Inglés)
SKU: 59729407
Price: 77270.00 CLP
Availability: InStock
Author: Ó. Súilleabháin, Tomás ; O'Sullivan Farrell, Margaret ; Carysfort Press Ltd
ISBN: 9781788746434

portada Beethoven's Irish Songs Revisited: Texts Chosen by Tomás Ó Súilleabháin Edited by Margaret O'Sullivan Farrell (en Inglés)

Beethoven's Irish Songs Revisited: Texts Chosen by Tomás Ó Súilleabháin Edited by Margaret O'Sullivan Farrell (en Inglés)

Formato

Libro Físico

Autor

Tomás Ó. Súilleabháin

Margaret O'Sullivan Farrell

Otro

Carysfort Press Ltd

Editorial

Peter Lang Ltd, International Academic Publis

Idioma

Inglés

N° páginas

192

Encuadernación

Tapa Blanda

ISBN13

9781788746434

Categorías

Danza
Reseña y crítica musicales
Música popular
Historia de la música

Beethoven's Irish Songs Revisited: Texts Chosen by Tomás Ó Súilleabháin Edited by Margaret O'Sullivan Farrell (en Inglés)

Tomás Ó. Súilleabháin (Autor) · Margaret O'Sullivan Farrell (Autor) · Carysfort Press Ltd (Otro) · Peter Lang Ltd, International Academic Publis · Tapa Blanda

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Reseña del libro "Beethoven's Irish Songs Revisited: Texts Chosen by Tomás Ó Súilleabháin Edited by Margaret O'Sullivan Farrell (en Inglés)"

Beethoven's seventy-two settings of traditional Irish airs constitute his most prolific output in any genre. The arrangements were commissioned in the early nineteenth century by the Scottish editor and publisher, George Thomson, who sent airs, but no texts, to Beethoven. Poetry, mostly by less well-known poets, was attached to the finished settings before publication by Thomson, and perhaps therein lies the reason why the songs never achieved the popularity which they deserve: many of the poems have been judged to be of inferior quality. In this edition, the first in which all Beethoven's Irish folksong settings are published together, the late baritone, broadcaster and musicologist, Tomás Ó Súilleabháin, selected texts, mostly by Burns and Moore, which he felt were more appropriate to the airs and to Beethoven's settings.