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portada Caps Lock: How Capitalism Took Hold of Graphic Design, and how to Escape From it (en Inglés)
Formato
Libro Físico
Editorial
Año
2021
Idioma
Inglés
N° páginas
528
Encuadernación
Tapa Blanda
Dimensiones
18.5 x 11.7 x 4.6 cm
Peso
0.43 kg.
ISBN13
9789492095817
N° edición
1

Caps Lock: How Capitalism Took Hold of Graphic Design, and how to Escape From it (en Inglés)

Ruben Pater (Autor) · Valiz · Tapa Blanda

Caps Lock: How Capitalism Took Hold of Graphic Design, and how to Escape From it (en Inglés) - Pater, Ruben

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Reseña del libro "Caps Lock: How Capitalism Took Hold of Graphic Design, and how to Escape From it (en Inglés)"

On design's complicity in systems of oppression: critique and exit strategies from the author of The Politics of DesignOur current economic system could not exist without the number systems, coins, banknotes, documents, advertisements, interfaces, typefaces and information graphics that graphic designers have helped to create. Even speculative design and social design play their part in fueling the economic system. Capitalism has brought tremendous wealth, but it has not done so evenly. Extreme income inequality and environmental destruction is the price future generations have to pay for unbridled economic growth. The question is whether ethical graphic design is even possible under such conditions.CAPS LOCK uses clear language and visual examples to show how graphic design and capitalism are inextricably linked. By sharing examples of radical design practices that challenge the supremacy of the market, it hopes to inspire a different kind of graphic design.Ruben Pater (born 1977) was trained as a graphic designer and works in journalism, activism, education and graphic design under the name Untold Stories. His work has received several international prizes and he has participated in many exhibitions worldwide. His first book, The Politics of Design (2016), has been an inspirational sourcebook for design students, artists and visual communicators in many different places and contexts; Eye on Design wrote: It's the kind of literature that should be handed out to all students on their first days at art school, along with all the Albers, Berger, Benjamin and Sontag that form the backbone of the design curriculum--an up-to-date assessment of the landscape through which all modern visual practitioners must navigate.

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El libro está escrito en Inglés.
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La encuadernación de esta edición es Tapa Blanda.

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