Name: Curatorial Intervention: History and Current Practices (en Inglés)
SKU: 61072865
Price: 147380.00 CLP
Availability: InStock
Author: Levine, Brett M.
ISBN: 9781538128718

portada Curatorial Intervention: History and Current Practices (en Inglés)

Curatorial Intervention: History and Current Practices (en Inglés)

Formato

Libro Físico

Autor

Brett M. Levine

Editorial

Rowman & Littlefield Publishers

Idioma

Inglés

N° páginas

148

Encuadernación

Tapa Dura

Dimensiones

22.9x15.2x1.3 cm

Peso

0.39 kg.

ISBN13

9781538128718

Categorías

Catálogos de exposiciones y colecciones específicas
Estudios de museología y patrimonio
Gestión y técnicas de gestión

Curatorial Intervention: History and Current Practices (en Inglés)

Brett M. Levine (Autor) · Rowman & Littlefield Publishers · Tapa Dura

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Reseña del libro "Curatorial Intervention: History and Current Practices (en Inglés)"

Curatorial Intervention: History and Current Practice, is a critical analysis of the dynamic roles curators play in shaping, mediating and, at times, redefining the artist-audience exchange. Focusing on contemporary curatorial practice, this work critically examines the ways in which curators impact artists' intentionality, and how this alters audiences' experiences of reception. Through discussions with leading artists, curators, and arts administrators, Brett Levine posits a new paradigm for defining and contextualizing curatorial practice, while exploring how the former dialectic of intention and reception is today defined by the triad intention-intervention-reception. After situating the more traditional artist-audience relationship, he explores how extant theories of the art experience fail to either provide for curatorial practice or contextualize its operations while also overlooking questions of transparency, agency, and power. Offering a new professional and operational model, Curatorial Intervention highlights how the artist-curator and curator-audience relations displace and, at times redefine, the experience of works of art. In response to the disenfranchisement of curatorial practice, and the emergence of every act of discernment being transformed into curating--as little more than a fashionable pastime--the author reasserts the dynamic roles that exist between artist, curator, and audience, and between object, operation, and experience.