Name: Early Italian Painting: From Giotto to Fra Angelico: the birth of perspective (en Inglés)
Price: 61400.00 CLP
Availability: InStock
Author: Crowe, Joseph Archer; Cavalcaselle, Giovanni Battista; Jameson, Anna
ISBN: 9781646995271

portada Early Italian Painting: From Giotto to Fra Angelico: the birth of perspective (en Inglés)

Early Italian Painting: From Giotto to Fra Angelico: the birth of perspective (en Inglés)

Formato

Libro Físico

Editorial

Parkstone Press

Autor

Crowe, Joseph Archer; Cavalcaselle, Giovanni Battista; Jameson, Anna

Idioma

Inglés

N° páginas

200

Encuadernación

Tapa Dura

Dimensiones

27.0 x 21.6 x 1.8 cm

ISBN13

9781646995271

Early Italian Painting: From Giotto to Fra Angelico: the birth of perspective (en Inglés)

Crowe, Joseph Archer; Cavalcaselle, Giovanni Battista; Jameson, Anna (Autor) · Parkstone Press · Tapa Dura

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Reseña del libro "Early Italian Painting: From Giotto to Fra Angelico: the birth of perspective (en Inglés)"

Oscillating between the majesty of the Greco-Byzantine tradition and the modernity predicted by Giotto, Early Italian Painting addresses the first important aesthetic movement that would lead to the Renaissance, the Italian Primitives. Trying new mediums and techniques, these revolutionary artists no longer painted frescoes on walls, but created the first mobile paintings on wooden panels. The visages of the figures were painted to shock the spectator in order to emphasise the divinity of the character being represented. The bright gold leafed backgrounds were used to highlight the godliness of the subject. The elegance of both line and colour were combined to reinforce specific symbolic choices. Ultimately the Early Italian artists wished to make the invisible - visible. In this magnificent book, the authors emphasise the importance that the rivalry between the Sienese and Florentine schools played in the evolution of art history. The reader, in the course of these forgotten masterworks, will discover how the sacred began to take a more human form, opening a discrete but definitive door through the use of anthropomorphism, a technique that would be cherished by the Renaissance.