Name: Flemish Tapestry in European and American Collections: Studies in Honour of Guy Delmarcel (en Inglés)
SKU: 60273639
Price: 141590.00 CLP
Availability: InStock
Author: Brosens, Koen
ISBN: 9782503521749

portada Flemish Tapestry in European and American Collections: Studies in Honour of Guy Delmarcel (en Inglés)

Flemish Tapestry in European and American Collections: Studies in Honour of Guy Delmarcel (en Inglés)

Formato

Libro Físico

Editorial

Brepols Publishers

Autor

Brosens, Koen

Idioma

Inglés

N° páginas

232

Encuadernación

Tapa Dura

Dimensiones

30.2x24.9x2.1 cm

Peso

1.50 kg.

ISBN13

9782503521749

Categorías

Historia del arte
Catálogos de exposiciones y colecciones específicas

Flemish Tapestry in European and American Collections: Studies in Honour of Guy Delmarcel (en Inglés)

Brosens, Koen (Autor) · Brepols Publishers · Tapa Dura

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Reseña del libro "Flemish Tapestry in European and American Collections: Studies in Honour of Guy Delmarcel (en Inglés)"

Professor Dr Guy Delmarcel was Curator of Textiles at the Brussels Koninklijke Musea voor Kunst en Geschiedenis (1975-1990) and Professor of History of Art at the Catholic University of Leuven (1981-2002). He passionately devoted his career to the study of Flemish tapestry. His intensive research on the 'Mobile Frescoes of the North' resulted in numerous articles, books, lectures, and exhibitions, thereby unlocking tapestry to both scholars and the general public. Guy Delmarcel has now been given emeritus status. The Department of Archaeology, History of Art and Musicology decided to honour its former chairman by offering him a Festschrift entirely dedicated to his beloved field of research. Fourteen renowned tapestry scholars from all over the world willingly accepted the invitation to celebrate their esteemed colleague. Throughout the centuries Flemish tapestry has eagerly been collected. In the Middle Ages and Early Modern Times the European elite spent fortunes on these lavish works of art. A number of essays compiled in the present volume focus on the patronage and collections of European kings and noblemen. In the nineteenth and twentieth centuries European and American museums became important collectors of Flemish tapestry, as is demonstrated by some museological studies presented in Studies in Honour of Guy Delmarcel. This penetration by Flemish tapestry of the public realm has obviously necessitated iconographic and stylistic studies. A number of new analyses are gathered in the Festschrift.