Name: Haydn’S Sunrise, Beethoven’S Shadow: Audiovisual Culture and the Emergence of Musical Romanticism (en Inglés)
Price: 79950.00 CLP
Availability: InStock
Author: Deirdre Loughridge
ISBN: 9780226337098

portada Haydn’S Sunrise, Beethoven’S Shadow: Audiovisual Culture and the Emergence of Musical Romanticism (en Inglés)

Haydn’S Sunrise, Beethoven’S Shadow: Audiovisual Culture and the Emergence of Musical Romanticism (en Inglés)

Formato

Libro Físico

Editorial

University Of Chicago Press

Autor

Deirdre Loughridge

Idioma

Inglés

N° páginas

328

Encuadernación

Tapa Dura

ISBN13

9780226337098

Haydn’S Sunrise, Beethoven’S Shadow: Audiovisual Culture and the Emergence of Musical Romanticism (en Inglés)

Deirdre Loughridge (Autor) · University Of Chicago Press · Tapa Dura

Libro Nuevo Importado

Envío: 17 a 21 días háb.

$ 159.890$ 79.950

-50%

Costos de importación incluídos en el precio ✅

Libro Nuevo

Quedan 13 unidades

$ 79.950

Llega entre el 10 Jun y el 16 Jun a Santiago, Región Metropolitana. Seleccionar ubicación

Agregar a lista de deseos

Reseña del libro "Haydn’S Sunrise, Beethoven’S Shadow: Audiovisual Culture and the Emergence of Musical Romanticism (en Inglés)"

The years between roughly 1760 and 1810, a period stretching from the rise of Joseph Haydn's career to the height of Ludwig van Beethoven's, are often viewed as a golden age for musical culture, when audiences started to revel in the sounds of the concert hall. But the latter half of the eighteenth century also saw proliferating optical technologies--including magnifying instruments, magic lanterns, peepshows, and shadow-plays--that offered new performance tools, fostered musical innovation, and shaped the very idea of "pure" music. Haydn's Sunrise, Beethoven's Shadow is a fascinating exploration of the early romantic blending of sight and sound as encountered in popular science, street entertainments, opera, and music criticism. Deirdre Loughridge reveals that allusions in musical writings to optical technologies reflect their spread from fairgrounds and laboratories into public consciousness and a range of discourses, including that of music. She demonstrates how concrete points of intersection--composers' treatments of telescopes and peepshows in opera, for instance, or a shadow-play performance of a ballad--could then fuel new modes of listening that aimed to extend the senses. An illuminating look at romantic musical practices and aesthetics, this book yields surprising relations between the past and present and offers insight into our own contemporary audiovisual culture.