Name: Liebe Hanya: Mary Wigman's Letters to Hanya Holm (Studies in Dance History) (en Inglés)
SKU: 1674206
Price: 41750.00 CLP
Availability: InStock
Author: Gitelman, Claudia
ISBN: 9780299190743

portada Liebe Hanya: Mary Wigman's Letters to Hanya Holm (Studies in Dance History) (en Inglés)

Liebe Hanya: Mary Wigman's Letters to Hanya Holm (Studies in Dance History) (en Inglés)

Formato

Libro Físico

Ilustrado por

Claudia Gitelman

Editorial

University of Wisconsin Press

Autor

Gitelman, Claudia

Año

2003

Idioma

Inglés

N° páginas

200

Encuadernación

Tapa Blanda

Dimensiones

23.8x15.7x1.6 cm

Peso

0.37 kg.

ISBN

0299190749

ISBN13

9780299190743

N° edición

Categorías

Estudios sobre teatro
Danza contemporánea
Literatura: historia y crítica
Estudios de género: mujeres y chicas

Liebe Hanya: Mary Wigman's Letters to Hanya Holm (Studies in Dance History) (en Inglés)

Claudia Gitelman (Ilustrado por) · University of Wisconsin Press · Tapa Blanda

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Reseña del libro "Liebe Hanya: Mary Wigman's Letters to Hanya Holm (Studies in Dance History) (en Inglés)"

These vividly written letters document the lives of two remarkable women artists who were at the center of twentieth-century dance modernism. Mary Wigman's groundbreaking choreography and inspired performing in Germany during the 1910s and 1920s brought the emerging art of modern dance into dialogue with modern painting, theater, and film. Her disciple Hanya Holm took Wigman's aesthetic philosophy to the United States in 1931, effectively adapting it to the American temperament, and ultimately became a celebrated choreographer of Broadway musicals such as Kiss Me, Kate and My Fair Lady. Written between 1920 and 1971, Wigman's letters are a treasury of fascinating detail about artistry, friendships of women, and the stamina of two artists who refused to capitulate to personal, political, and cultural forces that confronted them. They inject immediacy into discussions of Wigman's work within the Third Reich and cast light on Holm's construction of an American identity. With her extensive annotation Gitelman contributes context to the domestic and social spheres within which the women worked on two continents. Never before published in any language, these letters are untapped resources for historians of twentieth-century culture, German-American relations, as well as dance.