Name: Musical Women in England, 1870-1914: Encroaching on All Man's Privileges (en Inglés)
Price: 168020.00 CLP
Availability: InStock
Author: Na, Na ; Gillett, Paula
ISBN: 9781349385119

portada Musical Women in England, 1870-1914: Encroaching on All Man's Privileges (en Inglés)

Formato

Libro Físico

Autor

Na Na

Paula Gillett

Editorial

Palgrave MacMillan

Idioma

Inglés

N° páginas

310

Encuadernación

Tapa Blanda

Dimensiones

20.3 x 12.7 x 1.7 cm

Peso

0.32 kg.

ISBN13

9781349385119

Categorías

Reino unido
Reseñas y críticas musicales
Historia de la música
Estudios de genero de las mujeres
Historia de europa

Musical Women in England, 1870-1914: Encroaching on All Man's Privileges (en Inglés)

Na Na (Autor) · Paula Gillett (Autor) · Palgrave MacMillan · Tapa Blanda

Libro Físico

$ 168.020

$ 280.030

Ahorras: $ 112.010

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Envío normal

Origen: Estados Unidos (Costos de importación incluídos en el precio)

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Reseña del libro "Musical Women in England, 1870-1914: Encroaching on All Man's Privileges (en Inglés)"

Musical Women in England, 1870-1914 delineates the roles women played in the flourishing music world of late-Victorian and early twentieth-century England, and shows how contemporary challenges to restrictive gender roles inspired women to move into new areas of musical expression, both in composition and performance. The most famous women musicians were the internationally renowned stars of opera; greatly admired despite their violations of the prescribed Victorian linkage of female music-making with domesticity, the divas were often compared to the sirens of antiquity, their irresistible voices a source of moral danger to their male admirers. Their ambiguous social reception notwithstanding, the extraordinary ability and striking self-confidence of these women - and of pioneering female soloists on the violin, long an instrument permitted only to men - inspired fiction writers to feature musician heroines and motivated unprecedented numbers of girls and women to pursue advanced musical study. Finding professional orchestras almost fully closed to them, many female graduates of English conservatories performed in small ensembles and in all-female and amateur orchestras, and sought to earn their living in the overcrowed world of music teaching.