Name: Playing and Playgoing in Early Modern England: Actor, Audience and Performance (en Inglés)
Price: 151900.00 CLP
Availability: InStock
Author: Smith, Simon ; Whipday, Emma
ISBN: 9781108489058

portada Playing and Playgoing in Early Modern England: Actor, Audience and Performance (en Inglés)

Playing and Playgoing in Early Modern England: Actor, Audience and Performance (en Inglés)

Formato

Libro Físico

Ilustrado por

Simon Smith

Emma Whipday

Editorial

Cambridge University Press

Autor

Smith, Simon ; Whipday, Emma

Año

2022

Idioma

Inglés

N° páginas

308

Encuadernación

Tapa Dura

Dimensiones

22.9 x 15.2 x 1.9 cm

Peso

0.58 kg.

ISBN13

9781108489058

Categorías

Irlanda
Reino unido
Estudios sobre teatro
Historia de las artes escénicas
Literatura: historia y crítica

Playing and Playgoing in Early Modern England: Actor, Audience and Performance (en Inglés)

Simon Smith (Ilustrado por) · Emma Whipday (Ilustrado por) · Cambridge University Press · Tapa Dura

Libro Nuevo Importado

Envío: 17 a 22 días háb.

$ 276.180$ 151.900

-45%

Costos de importación incluídos en el precio ✅

Libro Nuevo

Quedan 100 unidades

$ 151.900

Llega entre el 27 Ago y el 03 Sep a Santiago, Región Metropolitana. Seleccionar ubicación

Agregar a lista de deseos

Reseña del libro "Playing and Playgoing in Early Modern England: Actor, Audience and Performance (en Inglés)"

This edited collection of essays brings together leading scholars of early modern drama and playhouse culture to reflect upon the study of playing and playgoing in early modern England. With a particular focus on the player-playgoer exchange as a site of dramatic meaning-making, this book offers a timely and significant critical intervention in the field of Shakespeare and early modern drama. Working with and reflecting upon approaches drawn from literary scholarship, theatre history and performance studies, it seeks to advance the critical conversation on the interactions between: players; play-texts; performance spaces; the bodily, sensory and material experiences of the playhouse; and playgoers' responses to, and engagements with, the theatre. Through alternative methodological and theoretical approaches, previously unknown or overlooked evidence, and fresh questions asked of long-familiar materials, the volume offers a new account of early modern drama and performance that seeks to set the agenda for future research and scholarship.