Name: Record Cultures: The Transformation of the U. S. Recording Industry (en Inglés)
Price: 153150.00 CLP
Availability: InStock
Author: Barnett, Kyle
ISBN: 9780472131037

portada Record Cultures: The Transformation of the U. S. Recording Industry (en Inglés)

Record Cultures: The Transformation of the U. S. Recording Industry (en Inglés)

Formato

Libro Físico

Autor

Kyle Barnett

Editorial

University of Michigan Press

Año

2020

Idioma

Inglés

N° páginas

332

Encuadernación

Tapa Dura

Dimensiones

23.1 x 15.2 x 2.8 cm

Peso

0.57 kg.

ISBN13

9780472131037

Categorías

Grabación y reproducción de música
Ingeniería de las comunicaciones/las telecomunicaciones

Record Cultures: The Transformation of the U. S. Recording Industry (en Inglés)

Kyle Barnett (Autor) · University of Michigan Press · Tapa Dura

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Reseña del libro "Record Cultures: The Transformation of the U. S. Recording Industry (en Inglés)"

Record Cultures tells the story of how early U.S. commercial recording companies captured American musical culture in a key period in both music and media history. Amid dramatic technological and cultural changes of the 1920s and 1930s, small recording companies in the United States began to explore the genres that would later be known as jazz, blues, and country. Smaller record labels, many based in rural or out of the way Midwestern and Southern towns, were willing to take risks on the country's regional vernacular music as a way to compete with more established recording labels. Recording companies' relationship with radio grew closer as both industries were on the rise, propelled by new technologies. Radio, which had become immensely popular, began broadcasting more recorded music in place of live performances, and this created profitable symbiosis. With the advent of the talkies, the film industry completed the media trifecta. The novelty of recorded sound was replacing film accompanists, and the popularity of movie musicals solidified film's connections with the radio and recording industries. By the early 1930s, the recording industry had gone from being part of the largely autonomous phonograph industry to being major media industry of its own, albeit deeply tied to--and, in some cases, owned by--the radio and film industries. The triangular relationships between these media industries marked the first major entertainment and media conglomerates in U.S. history. Through an interdisciplinary and intermedial approach to recording industry history, Record Cultures creates new connections between different strands of media research. It will be of interest to scholars of popular music, media studies, sound studies, American culture, and the history of film, television, and radio.