Name: Seeing the Invisible in Late Antiquity and the Early Middle Ages: Papers from Verbal and Pictorial Imaging: Representing and Accessing Experience of t (en Inglés)
Price: 113020.00 CLP
Availability: InStock
Author: de Nie, Giselle ; Morrison, Karl F. ; Mostert, Marco
ISBN: 9782503517599

portada Seeing the Invisible in Late Antiquity and the Early Middle Ages: Papers from Verbal and Pictorial Imaging: Representing and Accessing Experience of t (en Inglés)

Seeing the Invisible in Late Antiquity and the Early Middle Ages: Papers from Verbal and Pictorial Imaging: Representing and Accessing Experience of t (en Inglés)

Formato

Libro Físico

Editorial

Brepols Publishers

Autor

de Nie, Giselle ; Morrison, Karl F. ; Mostert, Marco

Idioma

Inglés

N° páginas

545

Encuadernación

Tapa Dura

Dimensiones

24.6 x 16.8 x 3.8 cm

Peso

1.13 kg.

ISBN13

9782503517599

Categorías

Europa
Mundo antiguo
Estilo medieval
Historia del arte
Historia antigua
Historia de europa: edad media

Seeing the Invisible in Late Antiquity and the Early Middle Ages: Papers from Verbal and Pictorial Imaging: Representing and Accessing Experience of t (en Inglés)

De Nie, Giselle ; Morrison, Karl F. ; Mostert, Marco (Autor) · Brepols Publishers · Tapa Dura

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Reseña del libro "Seeing the Invisible in Late Antiquity and the Early Middle Ages: Papers from Verbal and Pictorial Imaging: Representing and Accessing Experience of t (en Inglés)"

Limiting itself to the vital centuries when the late Roman West reshaped itself into a first Europe, the conference explored the dominant conception of human nature in that era: that human existence was both body (in the visible world of material things) and soul (in the invisible world of spirit). This was a legacy of pre-Christian elements handed down from Greek philosophy and Hebrew Scriptures. Assimilating it to indigenous cultures in the Roman West, many alien to the ancient Mediterranean world, precipitated sea-changes in the understanding of human psychology. Ensuing frictions sparked extraordinary expressions of creativity in words and visual images. It also created dangerously subversive disequilibriums in the collective mentality within elites and between them and majority cultures. The papers in this volume investigate numerous configurations of a new culture taking shape in that volatile environment. They contribute to continuing debates about the cognitive co-ordination of words and pictorial images, and to cross-disciplinary dialogues in such disparate fields as art history, religious literature, mysticism, and cultural anthropology.