Name: The Cultural Politics of Colorblind tv Casting (Routledge Transformations in Race and Media) (en Inglés)
SKU: 56035355
Price: 289980.00 CLP
Availability: InStock
Author: Kristen J. Warner
ISBN: 9781138018303

portada The Cultural Politics of Colorblind tv Casting (Routledge Transformations in Race and Media) (en Inglés)

The Cultural Politics of Colorblind tv Casting (Routledge Transformations in Race and Media) (en Inglés)

Formato

Libro Físico

Editorial

Routledge

Autor

Kristen J. Warner

Idioma

Inglés

N° páginas

170

Encuadernación

Tapa Dura

ISBN13

9781138018303

N° edición

The Cultural Politics of Colorblind tv Casting (Routledge Transformations in Race and Media) (en Inglés)

Kristen J. Warner (Autor) · Routledge · Tapa Dura

Libro Nuevo Importado

Envío: 21 a 25 días háb.

$ 527.240$ 289.980

-45%

Costos de importación incluídos en el precio ✅

Libro Nuevo

Quedan más de 100 unidades

$ 289.980

Llega entre el 15 Oct y el 21 Oct a Santiago, Región Metropolitana. Seleccionar ubicación

Agregar a lista de deseos

Reseña del libro "The Cultural Politics of Colorblind tv Casting (Routledge Transformations in Race and Media) (en Inglés)"

This book fills a significant gap in the critical conversation on race in media by extending interrogations of racial colorblindness in American television to the industrial practices that shape what we see on screen. Specifically, it frames the practice of colorblind casting as a potent lens for examining the interdependence of 21st century post-racial politics and popular culture. Applying a 'production as culture' approach to a series of casting case studies from American primetime dramatic television, including ABC's Grey's Anatomy and The CW's The Vampire Diaries, Kristen Warner complicates our understanding of the cultural processes that inform casting and expounds the aesthetic and pragmatic industrial viewpoints that perpetuate limiting or downright exclusionary hiring norms. She also examines the material effects of actors of color who knowingly participate in this system and justify their limited roles as a consequence of employment, and finally speculates on what alternatives, if any, are available to correct these practices. Warner's insights are a valuable addition to scholarship in media industry studies, critical race theory, ethnic studies, and audience reception, and will also appeal to those with a general interest in race in popular culture.