Name: The Image of the Black in Western Art, Volume ii: From the Early Christian era to the "Age of Discovery", Part 2: Africans in the Christian Ordinance of the World: New Edition (en Inglés)
SKU: 3778902
Price: 126400.00 CLP
Availability: InStock
Author: david (edt) bindman
ISBN: 9780674052581

portada The Image of the Black in Western Art, Volume ii: From the Early Christian era to the "Age of Discovery", Part 2: Africans in the Christian Ordinance of the World: New Edition (en Inglés)

The Image of the Black in Western Art, Volume ii: From the Early Christian era to the "Age of Discovery", Part 2: Africans in the Christian Ordinance of the World: New Edition (en Inglés)

Formato

Libro Físico

Editorial

Harvard University Press

Autor

david (edt) bindman

Año

2010

Idioma

Inglés

N° páginas

367

Encuadernación

Tapa Dura

Peso

4.65

ISBN

0674052587

ISBN13

9780674052581

Categorías

Artes: aspectos generales
Historia del arte

The Image of the Black in Western Art, Volume ii: From the Early Christian era to the "Age of Discovery", Part 2: Africans in the Christian Ordinance of the World: New Edition (en Inglés)

David (Edt) Bindman (Autor) · Harvard University Press · Tapa Dura

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Reseña del libro "The Image of the Black in Western Art, Volume ii: From the Early Christian era to the "Age of Discovery", Part 2: Africans in the Christian Ordinance of the World: New Edition (en Inglés)"

In the 1960s, art patron Dominique de Menil founded an image archive showing the ways that people of African descent have been represented in Western art. Highlights from her collection appeared in three large-format volumes that quickly became collector’s items. A half-century later, Harvard University Press and the Du Bois Institute are proud to publish a complete set of ten sumptuous books, including new editions of the original volumes and two additional ones.Africans in the Christian Ordinance of the World, written by a small team of French scholars, has established itself as a classic in the field of medieval art. The most striking development in this period was the gradual emergence of the black Magus, invariably a figure of great dignity, in the many representations of the Adoration of the Magi by the greatest masters of the time. The new introduction by Paul Kaplan provides a fresh perspective on the image of the black in medieval European art and contextualizes the classic essays on the subject.