Name: The Living Monument: Shakespeare and the Theatre of his Time (History of Elizabethan Drama) (en Inglés)
Price: 66780.00 CLP
Availability: InStock
Author: Bradbrook, M. C. ; M. C., Bradbrook
ISBN: 9780521295307

portada The Living Monument: Shakespeare and the Theatre of his Time (History of Elizabethan Drama) (en Inglés)

The Living Monument: Shakespeare and the Theatre of his Time (History of Elizabethan Drama) (en Inglés)

Formato

Libro Físico

Autor

M. C. Bradbrook

Bradbrook M. C.

Editorial

Cambridge University Press

Año

1979

Idioma

Inglés

N° páginas

308

Encuadernación

Tapa Blanda

Dimensiones

21.6 x 14.0 x 1.8 cm

Peso

0.39 kg.

ISBN

0521295300

ISBN13

9780521295307

N° edición

Categorías

Estudios literarios: obras de teatro y dramaturgos

The Living Monument: Shakespeare and the Theatre of his Time (History of Elizabethan Drama) (en Inglés)

M. C. Bradbrook (Autor) · Bradbrook M. C. (Autor) · Cambridge University Press · Tapa Blanda

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Reseña del libro "The Living Monument: Shakespeare and the Theatre of his Time (History of Elizabethan Drama) (en Inglés)"

Powerful and diversified as it already was, theatrical life in London focused in 1576 upon the opening in Shoreditch of James Burbage's Arena Theatre. Here the plays of Shakespeare, with those of many other writers, shaped and were shaped by popular demand. His company, as Lord Hunsdon's Men, settled in the theatre from 1594 to 1598. The Arena was the model for a dozen later structures. In this book Professor Bradbrook characterizes Shakespeare's achievements and those of his contemporaries and endeavours to 'place' them in their social and differing theatrical contexts. Part I is concerned with the sociology of the theatre and traces the evolution of the new drama from the later years of Elizabeth into the more established conditions of Jacobean times. Part II shows the interaction of Jonson's work for the court with Shakespeare's for the popular stage. As the leading writer now for the King's Men at the Globe I, Shakespeare's reaction to Jonson's challenge and stimulus was an increasing use of romantic elements in his plays, as he integrated the material demanded by the very different audiences at the Globe, the Blackfriars and the court. Finally in Part III, she outlines the post-Shakespearean developments.