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portada Up Is Down: Mid-Century Experiments in Advertising and Film at the Goldsholl Studio (en Inglés)
Formato
Libro Físico
Editorial
Idioma
Inglés
N° páginas
210
Encuadernación
Tapa Blanda
Dimensiones
24.6 x 17.5 x 1.5 cm
Peso
0.57 kg.
ISBN13
9781732568402

Up Is Down: Mid-Century Experiments in Advertising and Film at the Goldsholl Studio (en Inglés)

Granof, Corinne ; Beste, Amy ; Spigel, Lynn (Autor) · Block Museum · Tapa Blanda

Up Is Down: Mid-Century Experiments in Advertising and Film at the Goldsholl Studio (en Inglés) - Granof, Corinne ; Beste, Amy ; Spigel, Lynn

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Reseña del libro "Up Is Down: Mid-Century Experiments in Advertising and Film at the Goldsholl Studio (en Inglés)"

Winner of the 2019 Award for Excellence from the Association of Art Museum Curators Up Is Down: Mid-Century Experiments in Advertising and Film at the Goldsholl Studio is the first illustrated guide to the innovative work of Goldsholl Design Associates and its impact on design and film. Headed by Morton and Millie Goldsholl, the studio worked at the intersection of art, design, and media, producing trademarks, corporate identities, print advertisements, television commercials, and films for such clients as Motorola, Kimberly-Clark, Revlon, 7-Up, and the National Football League. The Goldsholls and their designers were compared to many of the most celebrated design firms of their day and are being rediscovered by many contemporary designers. Inspired by Laszlo Moholy-Nagy, with whom they had studied at Chicago's School of Design, Morton and Millie Goldsholl fostered a culture of exploration and collaboration in their studio. The firm became known for its imaginative "designs-in-film," applying avant-garde techniques to commercial productions. Its groundbreaking work in the new media of television helped redefine the look of everyday visual culture in mid-century America. The trailblazing work of Goldsholl Design Associates remains an unexplored contribution within American design and advertising. Published in conjunction with the exhibition of the same name at the Block Museum of Art, Northwestern University, this volume's research explores how a new visual language emerged from Chicago's cross-fertilization of avant-garde aesthetics, business, and cutting-edge media.

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