Name: Virtual Music: Sound, Music, and Image in the Digital era (en Inglés)
Price: 170940.00 CLP
Availability: InStock
Author: Professor Shara Rambarran
ISBN: 9781501333606

portada Virtual Music: Sound, Music, and Image in the Digital era (en Inglés)

Virtual Music: Sound, Music, and Image in the Digital era (en Inglés)

Formato

Libro Físico

Editorial

Bloomsbury Academic Usa

Autor

Professor Shara Rambarran

Año

2021

Idioma

Inglés

N° páginas

248

Encuadernación

Tapa Dura

ISBN13

9781501333606

Categorías

Música

Virtual Music: Sound, Music, and Image in the Digital era (en Inglés)

Professor Shara Rambarran (Autor) · Bloomsbury Academic Usa · Tapa Dura

Libro Nuevo Importado

Envío: 12 a 16 días háb.

$ 310.800$ 170.940

-45%

Costos de importación incluídos en el precio ✅

Libro Nuevo

Quedan más de 100 unidades

$ 170.940

Llega entre el 13 Ago y el 19 Ago a Santiago, Región Metropolitana. Seleccionar ubicación

Agregar a lista de deseos

Reseña del libro "Virtual Music: Sound, Music, and Image in the Digital era (en Inglés)"

Virtuality has entered our lives making anything we desire possible. We are, as Gorillaz once sang, in an exciting age where ‘the digital won’t let [us] go…’ Technology has revolutionized music, especially in the 21st century where the traditional rules and conventions of music creation, consumption, distribution, promotion, and performance have been erased and substituted with unthinkable and exciting methods in which absolutely anyone can explore, enjoy, and participate in creating and listening to music. Virtual Music explores the interactive relationship of sound, music, and image, and its users (creators/musicians/performers/audience/consumers). Areas involving the historical, technological, and creative practices of virtual music are surveyed including its connection with creators, musicians, performers, audience, and consumers. Shara Rambarran looks at the fascination and innovations surrounding virtual music, and illustrates key artists (such as Grace Jones, The Weeknd), creators (such as King Tubby, Kraftwerk, MadVillain, Danger Mouse), audiovisuals in video games and performances (such as Cuphead and Gorillaz), audiences, and consumers that contribute in making this musical experience a phenomenon. Whether it is interrogating the (un)realness of performers, modified identities of artists, technological manipulation of the Internet, music industry and music production, or accessible opportunities in creativity, the book offers a fresh understanding of virtual music and appeals to readers who have an interest in this digital revolution.