Name: Vladimir Markov and Russian Primitivism: A Charter for the Avant-Garde (Studies in art Historiography) (en Inglés)
SKU: 55997825
Price: 279480.00 CLP
Availability: InStock
Author: Howard Jeremy; Bu?Inska Irena; Strother Z.S.
ISBN: 9781472439741

portada Vladimir Markov and Russian Primitivism: A Charter for the Avant-Garde (Studies in art Historiography) (en Inglés)

Vladimir Markov and Russian Primitivism: A Charter for the Avant-Garde (Studies in art Historiography) (en Inglés)

Formato

Libro Físico

Editorial

Routledge

Autor

Howard Jeremy; Bu?Inska Irena; Strother Z.S.

Idioma

Inglés

N° páginas

318

Encuadernación

Tapa Dura

ISBN13

9781472439741

N° edición

Vladimir Markov and Russian Primitivism: A Charter for the Avant-Garde (Studies in art Historiography) (en Inglés)

Howard Jeremy; Bu?Inska Irena; Strother Z.s. (Autor) · Routledge · Tapa Dura

Libro Nuevo Importado

Envío: 11 a 15 días háb.

$ 465.800$ 279.480

-40%

Costos de importación incluídos en el precio ✅

Libro Nuevo

Última Unidad

$ 279.480

Llega entre el 06 Oct y el 13 Oct a Santiago, Región Metropolitana. Seleccionar ubicación

Agregar a lista de deseos

Reseña del libro "Vladimir Markov and Russian Primitivism: A Charter for the Avant-Garde (Studies in art Historiography) (en Inglés)"

Hailed as a brilliant theoretician, Voldemārs Matvejs (best known by his pen name Vladimir Markov) was a Latvian artist who spearheaded the Union of Youth, a dynamic group championing artistic change in Russia, 1910-14. His work had a formative impact on Malevich, Tatlin, and the Constructivists before it was censored during the era of Soviet realism. This volume introduces Markov as an innovative and pioneering art photographer and assembles, for the first time, five of his most important essays. The translations of these hard-to-find texts are fresh, unabridged, and authentically poetic. Critical essays by Jeremy Howard and Irena Buzinska situate his work in the larger phenomenon of Russian 'primitivism', i.e. the search for the primal. This book challenges hardening narratives of primitivism by reexamining the enthusiasm for world art in the early modern period from the perspective of Russia rather than Western Europe. Markov composed what may be the first book on African art and Z.S. Strother analyzes both the text and its photographs for their unique interpretation of West African sculpture as a Kantian 'play of masses and weights'. The book will appeal to students of modernism, orientalism, 'primitivism', historiography, African art, and the history of the photography of sculpture.