Name: At the Speed of Light There is Only Illumination: A Reappraisal of Marshall Mcluhan (Reappraisals: Canadian Writers) (en Inglés)
Price: 31720.00 CLP
Availability: InStock
Author: john (edt) moss
ISBN: 9780776605722

portada At the Speed of Light There is Only Illumination: A Reappraisal of Marshall Mcluhan (Reappraisals: Canadian Writers) (en Inglés)

Formato

Libro Físico

Editorial

University Of Ottawa Press

Autor

john (edt) moss

Año

2004

Idioma

Inglés

N° páginas

250

Encuadernación

Tapa Blanda

Peso

0.98

ISBN

0776605720

ISBN13

9780776605722

Categorías

Materia antropología social y cultural etnográfica

At the Speed of Light There is Only Illumination: A Reappraisal of Marshall Mcluhan (Reappraisals: Canadian Writers) (en Inglés)

John (Edt) Moss (Autor) · University Of Ottawa Press · Tapa Blanda

Libro Nuevo

$ 31.720

$ 52.870

Ahorras: $ 21.150

40% descuento

Envío normal

Origen: Estados Unidos (Costos de importación incluídos en el precio)

Se enviará desde nuestra bodega entre el Jueves 23 de Mayo y el Miércoles 29 de Mayo.

Lo recibirás en cualquier lugar de Chile entre 1 y 3 días hábiles luego del envío.

Reseña del libro "At the Speed of Light There is Only Illumination: A Reappraisal of Marshall Mcluhan (Reappraisals: Canadian Writers) (en Inglés)"

At the Speed of Light There is Only Illumination collects a dozen re-evaluative essays on Marshall McLuhan and his critical and theoretical legacy; from intellectual adventurer creating a complex architecture of ideas to cultural icon standing in line in Woody Allen’s Annie Hall. Given McLuhan’s prominent status in many academic disciplines, the contributors reflect a multi-disciplinary background. John Moss and Linda Morra chose the essays from a gathering of McLuhan’s academic devotees. The contribution – from “McLuhan as Medium” and “McLuhan in Space” to “What McLuhan Got Wrong” and “Trouble in the Global Village” – to provide a kaleidoscope of new views. As Moss writes of the collected essays: “Some are big and some are small, some exegetic and some confessional, some stand as major statements and others are sidelong glances; some resonate with the concerns of public discourse and others are private or privileged or impious and provocative. Each consists of many parts, each a design on its own. They speak to each other…they may have come together as one version of what happened.”