Name: Films That Work. Industrial Film and the Productivity of Media: Studies in the Visual Culture of the Industrial Film (Film Culture in Transition) (en Inglés)
Price: 70970.00 CLP
Availability: InStock
Author: vinzenz (edt) hediger
ISBN: 9789089640130

portada Films That Work. Industrial Film and the Productivity of Media: Studies in the Visual Culture of the Industrial Film (Film Culture in Transition) (en Inglés)

Formato

Libro Físico

Editorial

Amsterdam University Press

Autor

vinzenz (edt) hediger

Año

2009

Idioma

Inglés

N° páginas

496

Encuadernación

Tapa Blanda

ISBN

9089640134

ISBN13

9789089640130

N° edición

Categorías

Historia del cine

Films That Work. Industrial Film and the Productivity of Media: Studies in the Visual Culture of the Industrial Film (Film Culture in Transition) (en Inglés)

Vinzenz (Edt) Hediger (Autor) · Amsterdam University Press · Tapa Blanda

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Reseña del libro "Films That Work. Industrial Film and the Productivity of Media: Studies in the Visual Culture of the Industrial Film (Film Culture in Transition) (en Inglés)"

Only available in hardback: ISBN 978 90 8964 012 3 The history of industrial films – an orphan genre of twentieth-century cinema composed of government-produced and industrially sponsored movies that sought to achieve the goals of their sponsors, rather than the creative artists involved – seems to have left no trace in filmic cultural discourse. At its height the industrial film industry employed thousands, produced several trade journals and festival circuits, engaged with giants of twentieth-century industry like Shell and AT & T, and featured the talents of iconic actors and directors such as Buster Keaton, John Grierson and Alain Resnais. This is the first full-length book, anthology, and annotated bibliography to analyse the industrial film and its remarkable history. Exploring the potential of the industrial film to uncover renewed and unexplored areas of media studies, this remarkable volume brings together renowned scholars such as Rick Prelinger and Thomas Elsaesser in a discussion of the radical potential and new possibilities in considering the history of this unexplored corporate medium.