Name: Sound and the Aesthetics of Play: A Musical Ontology of Constructed Emotions (Palgrave Studies in Sound) (en Inglés)
Price: 94960.00 CLP
Availability: InStock
Author: Justin Christensen
ISBN: 9783319668987

portada Sound and the Aesthetics of Play: A Musical Ontology of Constructed Emotions (Palgrave Studies in Sound) (en Inglés)

Formato

Libro Físico

Editorial

Palgrave Macmillan

Autor

Justin Christensen

Año

2017

Idioma

Inglés

N° páginas

128

Encuadernación

Tapa Dura

ISBN13

9783319668987

N° edición

Categorías

Música

Sound and the Aesthetics of Play: A Musical Ontology of Constructed Emotions (Palgrave Studies in Sound) (en Inglés)

Justin Christensen (Autor) · Palgrave Macmillan · Tapa Dura

Libro Nuevo

$ 94.960

$ 131.890

Ahorras: $ 36.930

28% descuento

Envío normal

Origen: Estados Unidos (Costos de importación incluídos en el precio)

Se enviará desde nuestra bodega entre el Jueves 13 de Junio y el Martes 25 de Junio.

Lo recibirás en cualquier lugar de Chile entre 1 y 3 días hábiles luego del envío.

Reseña del libro "Sound and the Aesthetics of Play: A Musical Ontology of Constructed Emotions (Palgrave Studies in Sound) (en Inglés)"

This book is an interdisciplinary project that brings together ideas from aesthetics, philosophy, psychology, and music sociology as an expansion of German philosopher Hans-Georg Gadamer’s theory on the aesthetics of play. This way of thinking focuses on an ontology of the process of musicking rather than an ontology of discovering fixed and static musical objects. In line with this idea, the author discusses the importance of participation and involvement in this process of musicking, whether as a listener or as a performer. Christensen then goes on to critique and update Gadamer's theory by presenting incompatibilities between it and recent theories of aesthetic emotions and embodiment. He proposes that emotions are ‘constructed’ rather than ‘caused’, that the mind uses a system of ‘filters’ to respond to sonic stimuli and thus constructs (via play) aesthetic feelings and experiences. In turn, this approach provides music with a route into the development of social capital and inter-subjective communication. This work builds on the hermeneutical steps already taken by Gadamer and those before him, continuing his line of thought beyond his work. It will be of great interest to scholars in music aesthetics as well as a variety of other music related fields, including music psychology, philosophy and science and technology studies.