Name: The Musical Thought and Spiritual Lives of Heinrich Schenker and Arnold Schoenberg (Ashgate Studies in Theory and Analysis of Music After 1900) (en Inglés)
Price: 47090.00 CLP
Availability: InStock
Author: Matthew Arndt
ISBN: 9780367886462

portada The Musical Thought and Spiritual Lives of Heinrich Schenker and Arnold Schoenberg (Ashgate Studies in Theory and Analysis of Music After 1900) (en Inglés)

Formato

Libro Físico

Editorial

Routledge

Autor

Matthew Arndt

Idioma

Inglés

N° páginas

282

Encuadernación

Tapa Blanda

ISBN13

9780367886462

N° edición

The Musical Thought and Spiritual Lives of Heinrich Schenker and Arnold Schoenberg (Ashgate Studies in Theory and Analysis of Music After 1900) (en Inglés)

Matthew Arndt (Autor) · Routledge · Tapa Blanda

Libro Nuevo

$ 47.090

$ 78.480

Ahorras: $ 31.390

40% descuento

Envío normal

Origen: Estados Unidos (Costos de importación incluídos en el precio)

Se enviará desde nuestra bodega entre el Martes 18 de Junio y el Martes 02 de Julio.

Lo recibirás en cualquier lugar de Chile entre 1 y 3 días hábiles luego del envío.

Reseña del libro "The Musical Thought and Spiritual Lives of Heinrich Schenker and Arnold Schoenberg (Ashgate Studies in Theory and Analysis of Music After 1900) (en Inglés)"

This book examines the origin, content, and development of the musical thought of Heinrich Schenker and Arnold Schoenberg. One of the premises is that Schenker's and Schoenberg's inner musical lives are inseparable from their inner spiritual lives. Curiously, Schenker and Schoenberg start out in much the same musical-spiritual place, yet musically they split while spiritually they grow closer. The reception of Schenker's and Schoenberg's work has sidestepped this paradox of commonality and conflict, instead choosing to universalize and amplify their conflict. Bringing to light a trove of unpublished material, Arndt argues that Schenker's and Schoenberg's conflict is a reflection of tensions within their musical and spiritual ideas. They share a particular conception of the tone as an ideal sound realized in the spiritual eye of the genius. The tensions inherent in this largely psychological and material notion of the tone and this largely metaphysical notion of the genius shape both their musical divergence on the logical (technical) level in theory and composition, including their advocacy of the Ursatz versus twelvetone composition, and their spiritual convergence, including their embrace of Judaism. These findings shed new light on the musical and philosophical worlds of Schenker and Schoenberg and on the profound artistic and spiritual questions with which they grapple.