Name: The Philosophy of Curatorial Practice: Between Work and World (en Inglés)
Price: 68440.00 CLP
Availability: InStock
Author: Spaid, Sue
ISBN: 9781350184015

portada The Philosophy of Curatorial Practice: Between Work and World (en Inglés)

Formato

Libro Físico

Autor

Sue Spaid

Editorial

Bloomsbury Publishing PLC

Idioma

Inglés

N° páginas

280

Encuadernación

Tapa Blanda

Dimensiones

23.4 x 15.6 x 1.6 cm

Peso

0.42 kg.

ISBN13

9781350184015

Categorías

Aspectos generales del arte
Enseñanza sobre materias específicas
Filosofía estética

The Philosophy of Curatorial Practice: Between Work and World (en Inglés)

Sue Spaid (Autor) · Bloomsbury Publishing PLC · Tapa Blanda

Libro Físico

$ 68.440

$ 114.070

Ahorras: $ 45.630

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Envío normal

Origen: Estados Unidos (Costos de importación incluídos en el precio)

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Reseña del libro "The Philosophy of Curatorial Practice: Between Work and World (en Inglés)"

This book walks us through the process of how artworks eventually get their meaning, showing us how curated exhibitions invite audience members to weave an exhibition's narrative threads, which gives artworks their contents and discursive sense. Arguing that exhibitions avail artworks as candidates for reception, whose meaning, value, and relevance reflect audience responses, it challenges the existing view that exhibitions present "already-validated" candidates for appreciation. Instead, this book stresses the collaborative nature of curatorial practices, debunking the twin myths of autonomous artists and sovereign artistic directors and treating presentation and reception as separate processes. Employing set theory to distinguish curated exhibitions from uncurated exhibitions, installation art and collections, it demonstrates how exhibitions grant spectators access to concepts that aid their capacity to grasp artifacts as artworks. To inform and illuminate current debates in curatorial practice, Spaid draws on a range of case studies from Impressionism, Dada and Surrealism to more contemporary exhibitions such as Maurizio Cattelan "All" (2011) and "Damien Hirst" (2012). In articulating the process that cycles through exploration, interpretation, presentation and reception, curating bears resemblance to artistic direction more generally.